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“The Mahabharata is an ‘uncanny’ epic. Its stories promise astonishment, but its poet refuses to promise the comfort of finding a reasoned peace. Kavita Sharma and Indu Ramchandani offer a thoughtful argument that the epic has two distinctive ideas. The first is that life, however conflicted and sorrowful, has a divine plan; every thought, speech, and deed is scripted. If we accept, as Krishna does, that what we do or endure is right then we can, at the end of our days, console ourselves and say that our life has had a ‘fair reckoning’. Killed by a hunter, he recognizes that his time on earth has been a yagna, a ritualized completion. The second idea is that the Mahabharata is structured like a great cosmogonic story. It assumes that in the beginning there was a unity of purpose and a perfection of design in the universe; what the gods imagined was ethically ‘good’ and aesthetically ‘beautiful’ (Satya Yuga). Inevitably, however, the age of the gods gave way to ‘wickedness’ (Kali Yuga); the just and the unjust became ambiguous; everyday life became so predatoryband corrosive that the only way to renew the earth was to conduct an annihilatory war and begin again.”

Professor Alok Bhalla

Co-author of The Mahabharata: Mewari Miniature Paintings (1680–1698) by Allah Baksh

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